Me-Made Panties: a Trial Run

Yep, that's right, I spent a rare day in my sewing room.  I've been itching to get in there for a while now, so you can probably imagine the contented smile on my face right now.

Sadly, only half of the last 5 hours was spent sewing.  This morning was spent digging out my sewing room from the epic storm that seemed to blow through.  Cripes, how does it wind up such a disaster without any sewing going on?! 

Anywho, I MADE PANTIES!!

I've been wanting to make more of these suckers for a while.  I'm still wearing two of the pairs I made back in 2010 since they're the most comfortable panties I own and I don't ever want to give them up!  Yikes, that's a long time ago.  Definitely time to make some new ones!

I'm not going to go into much detail about the construction or tracing the pattern, as they're very similar to how I did the last set and I added some useful links in that post.  I did spend some time yesterday reading through Zoe's (of So Zo...) series of blog posts on making panties, and she has a free pattern available if you don't want to try tracing your own.  Really helpful stuff!

These were really just a trial run of the pattern I traced this afternoon from a pair of beloved-but-sadly-unwearable La Senza panties.  This time I was smart and traced them onto some stiff muslin fabric to create a more durable pattern.

For the trial run, I cut up an old comfy-but-indescribably-unflattering top I originally found at a thrift shop and has been hanging out in my To-Be-Reconstructed Bin for years.

This was the first time I've sewn elastic like this, first stitching the elastic and fabric right sides together, then flipping the elastic under and using a three-stitch zig-zag overtop.  Boy do I need practice keeping a straight zig-zagged seam on wiggly elastic! 

All in all, I'm pretty pleased with them, other than the horrible job I did on the elastic.  And you can't really see once it's all said and done - at least, not from the front.  I've learned to use a light coloured thread when using a light coloured elastic - boy does the underside look horrible.

The traced pattern turned out to be really comfortable!  I love how odd the leg holes look flat, but they have good bum coverage because of it, yet doesn't dig into my legs in the front.  Though one thing I'll need to remember in the future is to tighten up the elastic as it goes over the bum area of the leg holes.  The elastic wound up a bit too loose in that area, and tightening it up should snug it up to my bum a bit more.

Things you all obviously need to know.  You're welcome.

So yeah, I'd call these a success.  Time to start cranking these suckers out, assembly-line style!

Have any of you converted to me-made panties yet?  I sort of want to replace all of my current stock with them!

Vintage Pattern Thrifty Finds

So much creating lately, but not much sewing.  Well, other than the Tiramisu I finally finished up for a wedding a couple weeks ago, but there's some tweaks needed so it'll be a post for another day!

Yesterday, I did a bit of retail therapy in the form of treasure hunting at the local thrift store.  I went specifically looking for something to act as a yarn bowl (something to keep balls of yarn from rolling all over my unvacuumed floor), but the only thing that I liked was a super thin-glass round vase, and that's just asking for a cut foot.

I did, however, luck out a bit in the 5 (yes FIVE!) drawers of sewing patterns!  They're mostly filled with 80's and 90's patterns, and since our only fabric shop has only sold Kwik Sew and Burda patterns for decades, there's some real...interesting patterns from that era in those drawers.  Spandex men, women, and kids' athletic gear anyone?

There are some gems every now and then though, and more often then not they're of the vintage rather than modern variety.  Like this cute sleeveless blouse.  Butterick 3286 is basic, but with some great neckline variations.  And, surprise surprise, in my size too!  I'm desperate for more bottom layers...

And look at this cute 1973 jumper and blouse pattern!  Simplicity 5913.  Why do I love the 70's Simplicity patterns so much?  They're colourful cover art from that era always catches my attention.  I normally avoid shift-like dresses (my wip Laurel excluded, of course), but then I noticed the dart shaping:

AND it immediately went into my pile.  Not sure if it's me, as I've barely worn a skirt or dress all summer, but I certainly wasn't leaving it behind!  Thank you, whoever you are, for donating all of your pretty vintage patterns in my size.

Then I found this gem.  I've heard of Stretch & Sew from other bloggers, but I'd never come across them before (that I'd realized, anyways).  I did some reading up on Ann Person, and she sounds like a remarkable woman.  Apparently she received a box of knit remnants from someone after teaching a class in the 60s, and when she went to sew it up into kids clothes she realized that knits were a lot different than wovens.  She started to experiment and came up with her stretch & sew methodology, which she then started teaching to others and creating patterns.  Patterns that are based on real body measurements, apparently.  And then an apparently hugely popular pattern company was born! 

I was surprised to see that the pattern was printed double-sided on a heavy sheet for tracing and includes sizes from 28-44.  Remarkable for a 1967 pattern!  She apparently did this to make it easier for people to get the right fit by grading to other pattern sizes.

The pattern itself is Stretch & Sew 300, and I immediately fell in love with the cardigan on the front.  Looking at the line drawing, it appears to have less shaping than I'd like, but that's not a hard alteration, especially in a knit.  On a more annoying side, this pattern cost me $1, compared to 25 cents all the rest cost, just because it's in a larger envelope.  But then I realized I was getting pissy about paying a dollar for a vintage pattern and shut up.  Perspective: I sometimes lose it.

Oddly, my favourite find out of the bunch was this 1972 McCall's 3272 transfer pattern for embroidery.  Look at all those cheery images!  The marching pengins!  The scottie dog!  THE BEE!  I need to start embroidering happy things all over everything.

May I Introduce: the Hitchhiker's Jacket

Got my towel, babelfish, and cool jacket. Lunch at the Restaurant at the End of the Universe anyone?

Why is it called the Hitchhiker's Jacket, I hear you ask?  Well, remember back when I was complaining about having to trace this pattern from the Burda Magazine nightmare of a magic-eye pattern sheet?  I also went and whined all over PR contest discussion board too, and someone (probably in a bid to shut me up) suggested putting on an audio-book for less distracting entertainment.  The only audio book I had was the Hitchhiker's Guide to the Galaxy radio play, and lo! it worked!  I managed to finish tracing the whole thing without wandering off in boredom or dicking around on the internet.

And then I basically put the movie on loop whenever I was sewing the jacket, and it became sort of a thing. 

Sorry about my blinding white skin (use your towel to sheild your eyes). Flash does horrible things to my complexion. Great things to falling snow though.

 DON'T PANIC

This has been my mantra throughout the last days of finishing off this jacket.  It was a mad race to finish this ontime for the PR Refashion Contest, and I literally had minutes to spare once I submitted!  But I did it!  I was so worn out after finishing it, I sort of put off writing this blog post.  Sorry for the delay.

Recap of Details: 
Pattern: Burda Style Magazine 09-2012 #135 Blouson Jacket (plus sized)
Size: 46 from shoulders to bust, graded to 48 below the waist
Fabric: Thrifted Nygard wool jacket (XL) and Garage Sale Danier leather jacket (L?), and a poly lining from the crappy local fabric shop.
Alterations: Grading size, changed the shoulder yokes from wool to leather

In the end, I'm glad I didn't add leather to the back panels, like I thought of doing while working on the toile.  Despite the size of the jacket, there just wasn't enough leather to cut out the pieces, especially once I cut the last facing the wrong way and had to seam together the last piece.  I did, in the end, change the triangular shoulder yokes from wool (as the pattern suggests) to leather, mostly because I was out of wool fabric.  I even had to patch together the wool waistband piece because I was down to scraps of wool.  (Although looking at the pictures, I really wish I could've done the waistband in leather.  Ah well, such is the way of refashioning - sometimes you have to make compromises.)

Here's the front panel facing I had to patch together. Turned out alright!

 

As you can see, the jacket is fully lined.  Yes, I know the bottom hem looks kind of wonky, my sewing machine rebelled from sewing that (nearly) last seam.  It kept chewing up the bobbin thread, and I had to pull the machine apart and clean it all out, and then add the leather needle I found after I finished sewing all of the leather (I used a size 12 needle with barely any trouble) before it'd finally plow it's way (slowly) through that seam.  Did I mention that this was at 5 pm, when the entry had to be finished by 8 pm my time?  Yeah, there were a lot of curse words and that DON'T PANIC mantra going on in my head.

The very last seams I had to do were the sleeve hems, and I admit, I cheated a bit.  Because neither the leather nor the wool frays at all, I chose to simply fold them over once, tuck the lining underneather them, and stitch.  While this may not look all that professional, the seam line doesn't bother me at all, and the hem isn't bulky, and I've been doing everything I can to reduce bulk in throughout this jacket.  Plus it let me finish up quickly, and that was urgently needed at the time.

One of the things I was super pleased with was how the pockets turned out.  They're set in the seam between the leather front panel and the wool side panel, and I worked hard to get them in properly.  What isn't clear from the Burda instructions is how small these pockets turn out in the end, because you actually sew the zipper right through the pocket, reducing the size by a third.  I can still mash my keys and my cell phone in them (although not in the same pocket), but it was disappointing.

Actually, the instructions were entirely disappointing.  I wound up mostly making it up as I went along, they were so convoluted and confusing.

Zipper, snap at the waistband, and look! Chest welt pocket!

The zipper itself was relatively easy to attach.  All I did was mark where the edge of the zipper teeth should go, glued the whole thing down using stick glue, and then stitched it down.  The only thing I don't like about it is that I was stuck using a plastic zipper because that's all that was available at my crappy local fabric store.  I would've much prefered a metal zipper, but this works in the end.

And then I embroidered a Babel fish to the collar. I'm all set for translating any aliens that comes along.

"The Babel fish," said The Hitchhiker's Guide to the Galaxy quietly, "is small, yellow and leech-like, and probably the oddest thing in the Universe. It feeds on brainwave energy received not from its own carrier but from those around it. It absorbs all unconscious mental frequencies from this brainwave energy to nourish itself with. It then excretes into the mind of its carrier a telepathic matrix formed by combining the conscious thought frequencies with nerve signals picked up from the speech centres of the brain which has supplied them. The practical upshot of all this is that if you stick a Babel fish in your ear you can instantly understand anything in any form of language. The speech patterns you actually hear decode the brainwave matrix which has been fed into your mind by your Babel fish. 

Hitchhiker's Guide to the Galaxy, by Douglas Adams

Yeah, I'm a geek.

I'm suprised at how warm this jacket is.  The night I finished it, I wore it to go pick up my roommate from the airport, and despite it being -16C (3.2F) and only wearing a t-shirt underneath, I was more than warm enough.  YEAH WIN!

You guys have been awesomely supportive through this entire thing, and I guess I only have one more thing to say:

So long, and thanks for all the fish!

Wool and Construction and Lining (OH MY)

FYI, it's about 5 pm in this pic

My boyfriend was really awesome last weekend and let me haul my entire sewing space to his place and park myself in a corner of his ginormous living room.  And then he was gracious enough to not get annoyed when I ignored him all weekend.  Good guy, my boyfriend. 

Front panel of the original jacket. I cut the left front side panel to catch the welt chest pocket.

Anyways, I cut the wool jacket to pieces and scraps.  You saw how much of it was left when I was done in my last post.  It was so tight getting everything I needed out of that hip-length jacket, but I managed it!  Unfortunately, I only took the one picture above during that process (above), but I think it was one of the neatest.  I managed to keep the chest welt pocket on the left front side pocket.

As you can see, this is a legitimate pocket, which was a nice surprise.  Especially considering the pocket opening was still sewn shut.  As you can also see, the entire front panels of the original jacket were lined with a light-weight fusable interfacing.  I like the stability it adds to the fabric, but it doesn't bulk or stiffen it up at all, which is good.

The other piece that I was happy with the cut out was the centre back piece.  When I did the toile for this jacket, I added a centre back seam in case I had to do a sway back adjustment.  I didn't - this jacket actually curves along my lower back and upper bum beautifully - but I liked the additional seam.  The original jacket had a centre back seam, and I just cut this piece directly on that seam, so I get the look, without having to sew that seam.  Go laziness!

Here's the back piece (inside and out).  I really liked the triangular yokes on this jacket, and since I was out of wool fabric as a design feature, I did the yokes in leather.  I still adore all the seams on the back!  Especially the curve it gives to the lower back.

Left: before topstitching; Right: after topstitching.

To reflect the horizontal topstitching in the front panels, I topstitched at the shoulder seam.  I think the picture on the left looks cleaner, but it also reminds me of a jacket my Mom has in the 80's or early 90's, and while I know that look is coming back, it's not coming back in my closet.

One of the things I learned from the wool jacket was how they dealt with the hems.  You can see that they not only used the fusable interfacing, but also a woven sew-in interfacing for extra stability.  Nice.

One of the ongoing issues with this jacket is reducing bulk...anywhere, but especially at the seams.  This leather is thin, but not that thin.  I trimmed every single seam I possibly could.

I don't think I've shown you the lining yet.  I wound up buying some at my local (crappy) fabric shop because the original jacket's linings were not in great condition.  I have no idea what the fibre content is, because our fabric store doesn't actually indicate that on any of their fabric.  It's basically a guessing game.  It's wasn't that expensive though, when everything there is expensive, so I don't have high expectations.  Of course, it was the only kind of lining there, and you know what they say about beggers. 

ANYWAYS, I chose this pretty deep green, which my camera doesn't really want to capture properly.  It looks almost black in some lighting, and a lovely dark emerald-green in others.

This wasn't included in the pattern, but I added a pleat in the centre back (obviously I didn't add a centre back seam).  The wool and leather has a bit of give, but the lining doesn't at all, and I didn't want to restrict my movement.

I'm much further along than these posts have shown.  The shell is almost entirely together, minus the waistband piece, and I just have to attach the sleeves to the lining before sewing it to the jacket.  Then it's just hemming the sleeves and attaching the waistband.  By tomorrow night.  Well, way before tomorrow night, because I have to take pictures and write a review still.  Oh gosh.  Was hoping to get the sleeves on the lining and sew the lining to the jacket tonight, but I think my brain hit a wall and I just couldn't do it.  Hense this post! 


Alright, time for bed!  Happy sewing all!

Making Due With Scraps

 

I needed a break from sewing, so I thought I'd share what I've been working on this evening.  See the pile of fabric scraps above (above the long strip of fabric)?  That's all that's left of the wool jacket.  From that pile, I only needed to get the 5"x48" waistband piece.  Or so I thought. 

I realized yesterday that I was missing the second collar piece.  I'd been forced to chop the collar piece in half to begin with because the wool fabric was getting tight, and after I eeked those pieces out, I completely forgot to cut another set.

First collar piece below, new piece above

I managed to cut out another collar piece from two scraps.  The attaching seam was deliberately offset to reduce bulk on the collar.  The shape is a bit wonky, but that should be hidden in the seam allowance.  WHEW!

Unfortunately, this used up one of the larger scraps of wool that I'd planned to use in the waistband.  So I had to get a little creative patching it together.

Sorry for the crummy photos. Poor lighting and charcoal grey wool are not a good mix.

First I cut off and ironed the waistband from my jacket toile to use as a pattern piece.  Then I laid out the largest pieces I had left (a matching pair that came from who-knows-where-but-obviously-mirrored sections of the jacket) at both ends.  Since the ends meet in the front, I wanted them to be as clean as possible, so I made sure that no seams would show up there.  Then I took the next two largest pieces that didn't have buttonholes in the middle of them and overlapped them in the middle between the two end pieces.

I pinned the snot out of all the scraps to keep them in place and on the pattern piece, and flipped the whole thing over.  Since I forgot to add seam allowance to my toile waistband, I eeked out another inch width to give myself 1/2 inch seam allowance.  More than enough!

I cut out the waistband piece and flipped it over.  Then I pinned the two overlapped pieces together and zig zagged the pieces together from the top.  This reduced bulk like crazy, especially if you trim the overlap from the underside.  I was extremely careful with the placement of this overlap, because now when I fold the piece in half, this seam does not show on one side!

Then all I did was trim the pieces so that I could sew the side pieces to the patched middle piece (at an angle to reduce bulk when folded in half), and pressed the seams flat.

A matching pair of nearly-invisible seams will be all that's visible from the right side of the jacket.  How's that for making it work?!

Thrifted Leather Jacket: Deconstruction and Recreation (Pic Heavy)

 

I've been working hard on my entry for the Refashion contest over at PR, and taking a whole whack of pictures.  I'm serious, a Whole Whack of them.  I'm going to share all the fun I've had with taking apart and cutting out pattern pieces from this leather coat

DECONSTRUCTION:

I noticed a lot of neat things about this jacket while taking it apart.  Some are design features, other are construction methods, and I thought I'd share some of my favourites here.

This leather jacket is made up of smaller leather pieces seamed together. One of the things that impressed me was how they incorporated the slit (???) pocket and bound buttonhole along the seamline at the hip.  I thought this was a great idea, and really shows the quality of this jacket (it's by Danier, btw, and the leather is so soft and supple). 

I like that they included a piece of leather inside the pocket so that you don't see the pocket lining fabric from the outside of the coat.  I learned this lesson on my corduroy jacket's welt pockets, but it's nice to see a good example of how such a little detail can make such a difference.  Especially if your pocket lining material is bright.

Because the bound buttonholes were so thick, they made a tall shank at the base of the buttons, and then anchored the button with a smaller one of the backside for more support.  If I were doing buttons on my jacket, I'd definitely use this trick to avoid tearing through the leather.  Plus it's a bit cleaner looking on the underside.

Love how their collar turned out. The points are so sharp!  Impressive considering how bulky the leather can be.

You can also see how they topstitched the horizontal seamlines and left the vertical seams alone. This tends to emphasize the horizontal seams and lets the vertical seams disappear a bit more, which helps prevent a patch-quilt sort of look

On the inside, I noticed that all of the seam allowances were glued down, and the horizontal seams were all interfaced.  Not sure about the reasoning for the latter, but I totally stole the former idea.  It's really helpful because you can't actually iron down the seam allowance at all.

I admit, I stopped and petted the suede inside for a while.  SO SOFT!

They bagged the lining, and managed to make both the bottom hem and sleeve hem with no stitches.  I was impressed with how they did this without the hem dropping at all.

Turns out the answer is some sort of interfacing (web? woven? I don't know my interfacings) along the hem where it folds up, and then glue the heck out of the hem. I guess this provided some stability (with leather?) or perhaps kept the fold sharp (???), and the glue helped hold it in place.  Totally stealing this idea. 

RECONSTRUCTION:

So basically, I ripped off the lining, dropped the hem and opened the facings, took off the sleeves and collar, and split the shoulder seam to make a flat piece of fabric.  You can see the first piece laid out on the jacket: the front panel. It was supposed to be cut on the fold so that it's self-faced, but I couldn't do that with my fabric.  I chose to cut out 4 of the front panel and sew two together.

Except there wasn't enough space to cut the facings directly from the jacket. I'd have to patch it.

Hacked off the pocket section

Used binder clips to hold leather pieces together (can't pin leather or else the pin marks would be noticeable)

Try to line up vertical seamline

Stitch, then trim and glue down seam allowance

Topstitch on either side of seamline

Notice afteward that your vertical seamline weren't aligned. Give up and cut out facing piece

Of course, then I messed up.

I forgot to take pictures, but you can see my whining about it over on the contest discussion boards.

The biggest problem was that getting all the pieces I needed was going to be tight as it was.  I actually had to walk away from this all for a couple days because of how upset I was.

When I came back to it, I started on the upper part of the two piece sleeve, which was going to be in leather.  I cut it out from the original jacket's sleeve, but had to patch on a piece to the bottom due to the pattern sleeve being a bit longer and the grossness of the original jacket's sleeve hem.  Used the same method as above.

This leather, btw, is beautiful to work with.  I've been using size 12 sharp needles instead of leather needles, and there hasn't been any problems.  Well, there was one, but I'll talk about that in a sec.

Once I got through the sleeves, I went back and frankensteined a new inside facing, being extra cautious to cut it the right way.  You can see the new frankensteined facing piece on the left above, and the front panel on the right.  I took great care to make sure that the two front panels matched as much as possible, and that the seamlines for the patched facings were not lined up with the seamlines of the front panels to reduce bulk.

I then stitched the front panel and facing together.  I don't have pics here right now, but I had two problems with this:

1. The seam curves a bit inward at the top and bottom, so the whole front line of the jacket looks a bit curved. I decided that I can live with this, because unpicking leather is hard.
2. I chose to topstitch along the edge of this seam, and I broke a needle half way going over the fankensteined facing seamlines.  Oh well, I'll just use a stronger needle next time.

 

I forgot to mention, but before stitching everything together, I decided to freshen up the leather a bit.  Many internet sources suggested using a mix of lemon juice and olive oil, so I did just that.  The lemon juice cleaned the leather, and the oil added moisture.  The test strip above was taken from directly adjacent to the piece it's laying over, and you can see the difference it made!

This is all that's left of the jacket after I was through with it.  Unusable scraps to the right, and possibly useful pieces to the left.  And in fact, I'm going to have to get the 4 triangular shoulder yokes from these scraps somehow because there is literally none of the wool jacket left to cut them out. 

I'm a bit proud of how I've managed to use up all the material from these jackets!  Let's hope that the final result turns out.  If it doesn't though, I've learned a heck of a lot on this project.  :)

If you managed to get through this extremely long post, thanks so much for your patience!  I didn't realize it would be such a beast until I was half-way through it.